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Each essay or article is available as an individual, author name and affiliation, full-text PDF with a digital object identifier (DOI) registered by Zenodo.
At the end of each paper, the author’s biography—with their institutional affiliation, funding information, and contact details—is provided.
Editorial
| Christiane Wagner, Art Style, Art & Culture International Magazine, v. 4, no. 4 (December 2019): 8-9, DOI:10.5281/zenodo.5529363 |
Essays and Scholarly Articles
| Hans Dieter Huber, “The What, the Why and the How of Media Preservation,” Art Style, Art & Culture International Magazine, v. 4, no. 4 (December 2019): 11-24, DOI: 10.5281/zenodo.4161715 |
| Dominique Berthet, “Montage and Assemblage: an Aesthetic Shock,” Art Style, Art & Culture International Magazine, v. 4, no. 4 (December 2019): 27-38, DOI: 10.5281/zenodo.4161741 |
| Alina Temliakova, “To See the Cinema: Human – Sight – Reality,” Art Style, Art & Culture International Magazine, v. 4, no. 4 (December 2019): 41-50, DOI: 10.5281/zenodo.4161756 |
| Natasha Marzliak, “Transmedia Art of Instauration and Art Discourse: Moving Images and New Technologies in Contemporary Art Spaces,” Art Style, Art & Culture International Magazine, v. 4, no. 4 (December 2019): 53-71, DOI: 10.5281/zenodo.4162405 |
| Martina Sauer, “Framing Emotional Perception: Affect and Effect of Aesthetic Experience, or Extensions of Aesthetic Theory Towards Semiotics,” Art Style, Art & Culture International Magazine, v. 4, no. 4 (December 2019): 73-87, DOI: 10.5281/zenodo.4162445 |
| Akihisa Iwaki, “Toward an Aesthetics of Inter-space From Microgravity Environment to Multi-gravity Environment,” Art Style, Art & Culture International Magazine, v. 4, no. 4 (December 2019): 89-109, DOI: 10.5281/zenodo.6371482 |
Published on December 2019
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If you click here, you can download the Art Style Magazine | Volume 4 | Issue 4 | December 2019
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Art Style, Art & Culture International Magazine, v. 4, no. 4 (December 2019), DOI:10.5281/zenodo.6377110
Art Style Magazine’s fourth issue is also deposited in CORE — Open Access for the Humanities and Commons Open Repository Exchange — and is stored in the Columbia University Libraries’ long-term digital preservation storage system.
Art Style | Art & Culture International Magazine 