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Acoustic Pathways: After the Turn
Each essay or article is available as an individual, author name and affiliation, full-text PDF with a digital object identifier (DOI) registered by Zenodo.
At the end of each paper, the author’s biography—with their institutional affiliation, funding information, and contact details—is provided.
Editorial
| Christiane Wagner, Art Style, Art & Culture International Magazine, v. 13, no. 13 (March 2024): 7, DOI: 10.5281/zenodo.10443173 Download PDF |
Introduction
| Jörg U. Lensing and Christiane Wagner, “Acoustic Pathways: After the Turn,” Special Edition, Art Style, Art & Culture International Magazine, v. 13, no. 13 (March 2024): 8-9, DOI: 10.5281/zenodo.10443232 Download PDF |
Essays and Scholarly Articles
| Michel Chion, “Immersive, Emmersive,” Foreword, Art Style, Art & Culture International Magazine, v. 13, no. 13 (March 2024): 11-14, DOI: 10.5281/zenodo.10443270 Download PDF |
| Sabine Breitsameter, “Soundscape: Selected Historical and Aesthetic Perspectives,” Art Style, Art & Culture International Magazine, v. 13, no. 13 (March 2024): 17-35, DOI: 10.5281/zenodo.10654082 Download PDF |
| Ramon De Marco and Jascha Ivan Dormann, “Inspired by Nature: How Acoustic Ecology Influences the Work of Sound Scenographers,” Art Style, Art & Culture International Magazine, v. 13, no. 13 (March 2024): 37-48, DOI: 10.5281/zenodo.10443369 Download PDF |
| Lars Ohlendorf, “Acoustic Architecture Progressing Beyond Sound Branding: Why Imprint When We Can Craft Together?” Art Style, Art & Culture International Magazine, v. 13, no. 13 (March 2024): 51-68, DOI: 10.5281/zenodo.10443382 Download PDF |
| Heiner Stahl, “Acoustic Lanes and Auditory Leads: Spatio-Temporalities of Social Acoustics and Public Address Systems in Late Weimar Germany,” Art Style, Art & Culture International Magazine, v. 13, no. 13 (March 2024): 71-82, DOI: 10.5281/zenodo.10443405 Download PDF |
| Jens Schröter, “On the History and Aesthetics of Noise Reduction,” Art Style, Art & Culture International Magazine, v. 13, no. 13 (March 2024): 85-99, DOI: 10.5281/zenodo.10672353 Download PDF |
| Gregory Blair, “The Critique of Power Dynamics Through Sound,” Art Style, Art & Culture International Magazine, v. 13, no. 13 (March 2024): 101-114, DOI: 10.5281/zenodo.10443420 Download PDF |
| Alessandro Fortino, “Sound Design for Electric Vehicles: Fulfilling Laws and Creating Digital Artwork,” Art Style, Art & Culture International Magazine, v. 13, no. 13 (March 2024): 117-127, DOI: 10.5281/zenodo.10443445 Download PDF |
| Ross Adrian Williams, “Voice in the Machine: AI Voice Cloning in Film,” Art Style, Art & Culture International Magazine, v. 13, no. 13 (March 2024): 129-143, DOI: 10.5281/zenodo.10443451 Download PDF |
| Thomas Neuhaus, “Electronic Music: Utopias and Realities,” Art Style, Art & Culture International Magazine, v. 13, no. 13 (March 2024): 145-170, DOI: 10.5281/zenodo.10443473 Download PDF |
| David Roesner, “Listen Up! Strategies of Theatre Sound Towards Artistic Identity, Sonic Branding, and Acoustic Ecology,” Art Style, Art & Culture International Magazine, v. 13, no. 13 (March 2024): 173-188, DOI: 10.5281/zenodo.10443479 Download PDF |
| Martine Huvenne, “The Audiovisual Chord: Invitation to a Dance Between Sound and Image,” Art Style, Art & Culture International Magazine, v. 13, no. 13 (March 2024): 191-200, DOI: 10.5281/zenodo.10443492 Download PDF |
| Jörg U. Lensing, “Soundesign in German Movies,” Art Style, Art & Culture International Magazine, v. 13, no. 13 (March 2024): 203-226, DOI: 10.5281/zenodo.10443504 Download PDF |
| Andreas Ammer, “The Beginning and the End of the Radio Play,” Afterword, Art Style, Art & Culture International Magazine, v. 13, no. 13 (March 2024): 229-237, DOI: 10.5281/zenodo.10443513 Download PDF |
Published on March 2024
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Art Style Magazine | Volume 13 | Issue 13 | March 2024
Art Style Magazine is using the Zenodo repository.
With Zenodo, researchers can receive credit by making the research results citable and through OpenAIRE integrating them into existing reporting lines to funding agencies like the European Commission. Citation information is also passed to DataCite and onto the scholarly aggregators.
“Acoustic Pathways: After the Turn,” Art Style, Art & Culture International Magazine, v. 13, no. 13 (March 2024): DOI: 10.5281/zenodo.10672386
Art Style Magazine’s eleventh issue is also deposited in CORE — Open Access for the Humanities and Commons Open Repository Exchange — and is stored in the Columbia University Libraries’ long-term digital preservation storage system.
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