
To read the full content, click on the image below.

Multimodality: The Sensually Organized Potential of Artistic Works
Each essay or article is available as an individual, author name and affiliation, full-text PDF with a digital object identifier (DOI) registered by Zenodo.
At the end of each paper, the author’s biography—with their institutional affiliation, funding information, and contact details—is provided.
Editorial
Christiane Wagner, “Editorial,” Art Style, Art & Culture International Magazine, v. 10, no. 10 (September 2022): 7, DOI: 10.5281/zenodo.7023045 |
Introduction
Christiane Wagner and Martina Sauer, “Multimodality: The Sensually Organized Potential of Artistic Works,” Special Edition, Art Style, Art & Culture International Magazine, v. 10, no. 10 (September 2022): 8-9, DOI: 10.5281/zenodo.7023075 |
Essays and Scholarly Articles
Giada Lombardi and Giuseppe Di Cesare, “From Neuroscience to Art: The Role of ‘Vitality Forms’ in the Investigation of Multimodality,” Art Style, Art & Culture International Magazine, v. 10, no. 10 (September 2022): 11-23, DOI: 10.5281/zenodo.7020465 |
Martina Sauer, “Abstract – Affective – Multimodal: Interaction between Medium and Perception of Moving Images from the Viewpoint of Cassirer’s, Langer’s and Krois’ Embodiment Theories,” Art Style, Art & Culture International Magazine, v. 10, no. 10 (September 2022): 25-46, DOI: 10.5281/zenodo.7020486 |
Göran Sonesson, “The Secrets of Plastic Language Revealed: Multimodality, Polysemiosis, and Iconicity,” Art Style, Art & Culture International Magazine, v. 10, no. 10 (September 2022): 49-68, DOI: 10.5281/zenodo.7020548 |
Natalia Igl, “Making Sense of the Material: Multisensory Reader Involvement in Contemporary Multimodal Novels,” Art Style, Art & Culture International Magazine, v. 10, no. 10 (September 2022): 71-85, DOI: 10.5281/zenodo.7020556 |
J. Philippe Thompson, “Art is All: Proust’s Life Lessons Through Perception and Art,” Art Style, Art & Culture International Magazine, v. 10, no. 10 (September 2022): 87-104, DOI: 10.5281/zenodo.7020568 |
Hans Dieter Huber, “Philippe Parreno and the Exhibition as a Multimodal Aesthetic Experience,” Art Style, Art & Culture International Magazine, v. 10, no. 10 (September 2022): 107-131, DOI: 10.5281/zenodo.7020578 |
Jörg U. Lensing, “The Performing Human Being in a Media Interaction Space: Multi- and intermodal productions by the Düsseldorf Theater der Klänge (Theatre of Sounds),” Art Style, Art & Culture International Magazine, v. 10, no. 10 (September 2022): 135-161, DOI: 10.5281/zenodo.7040944 |
Published on September 2022
Art Style Magazine offers open-access publications – i.e., they can be read online for free. We also remind you that the printed version is another option.
Print version:
We provide a high definition file so that readers can download, order, and pay for their print in the print shop of their choice. However, we know that design must extend beyond the product itself and respond to the environment, saving and reusing energy and recycling materials (in our case, paper), thus respecting the principles of sustainable development. In this sense, our goal is to be more conscious of initiatives focused on products rationalized and optimized for low-energy cost or renewable energy and use renewable and environmentally friendly materials. Therefore, print your copy in an ecologically conscious way!
If you click here, you can download this issue.
Art Style Magazine | Volume 10 | Issue 10 | September 2022
Art Style Magazine is using the Zenodo repository.
With Zenodo, researchers can receive credit by making the research results citable and through OpenAIRE integrating them into existing reporting lines to funding agencies like the European Commission. Citation information is also passed to DataCite and onto the scholarly aggregators.
Art Style, Art & Culture International Magazine, v. 10, no. 10 (September 2022): DOI: 10.5281/zenodo.7023766

Art Style Magazine’s ninth issue is also deposited in CORE — Open Access for the Humanities and Commons Open Repository Exchange — and is stored in the Columbia University Libraries’ long-term digital preservation storage system.

