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Each essay or article is available as an individual, author name and affiliation, full-text PDF with a digital object identifier (DOI) registered by Zenodo.
The author’s biography—with their institutional affiliation, funding information, and contact details—is provided at the end of each paper.
Editorial
| Christiane Wagner, “Editorial,” Art Style, Art & Culture International Magazine, v. 15, no. 15 (March 2025): 7-9, DOI: 10.5281/zenodo.14940543 Download PDF |
Essays and Scholarly Articles
| Daniela Mayer, “The Queer Politics of Hélio Oiticica’s Babylonian Cinema,” Art Style, Art & Culture International Magazine, v. 15, no. 15 (March 2025): 11-46, DOI:10.5281/zenodo.14941036 Download PDF |
| Jesse D. Goodman, “Étant Donnés as Temporal Model: Experience, Allegory, Incarnation,” Art Style, Art & Culture International Magazine, v. 15, no. 15 (March 2025): 49-67, DOI: 10.5281/zenodo.14941173 Download PDF |
| Mei-Hsin Chen, “Exploring the Intersection of Art and AI: Creativity, Ethics, and Innovation,” Art Style, Art & Culture International Magazine, v. 15, no. 15 (March 2025): 69-89, DOI: 10.5281/zenodo.14941502 Download PDF |
| Veronica Gibson, “Designed a Step Behind: Into the Academic Blackscape,” Art Style, Art & Culture International Magazine, v. 15, no. 15 (March 2025): 91-113, DOI: 10.5281/zenodo.14941524 Download PDF |
| Vanane Borian, “Art and Science: A Symbiotic Path Towards a Harmonious Future,” Art Style, Art & Culture International Magazine, v. 15, no. 15 (March 2025): 115-137, DOI: 10.5281/zenodo.1494157 Download PDF |
| Zheng Zeng, “How Ceramic Clay Public Art Installations Evoke Sympathy,” Art Style, Art & Culture International Magazine, v. 15, no. 15 (March 2025): 139-155, DOI: 10.5281/zenodo.14941602 Download PDF |
Published in March 2025
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Art Style Magazine | Volume 15 | Issue 15 | March 2025
Art Style Magazine is using the Zenodo repository.
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Art Style, Art & Culture International Magazine, v. 15, no. 15 (March 2025), DOI:10.5281/zenodo.14969105

Art Style Magazine’s eleventh issue is also deposited in CORE — Open Access for the Humanities and Commons Open Repository Exchange — and is stored in the Columbia University Libraries’ long-term digital preservation storage system.


